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讓傳統穿越時代
將藝術還原生活

Let the tradition through the all time
Restore art to life

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楊瑞洪

四川省教學名師,阿壩師范學院美術學院院長

藝術家介紹

楊瑞洪 教授? 四川省教學名師,阿壩師范學院美術學院院長。

1963年生于阿壩州汶川,祖籍四川安岳。 1981年 中師美術班畢業任教金川縣中;

1989年畢業于四川美術學院,獲學士學位。1996年西南師大美術學院油畫研究生班畢業;

四川省美術家協會理事,阿壩州美術家協會副主席。

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作品參展;

2002中國油畫大展(浙江);???????????? 2003中國水彩畫寫生精品展(杭州);

2011時代精神全國人物肖像油畫作品展(北京);

2013高原·高原-第二屆中國西部美術展油畫年度展,獲三等獎;(西安)

2014四川文華美術獎作品展;(成都)????? 2002全國教師優秀作品展(北京);?????????????????????

?1987四川油畫展(成都); 89成都純粹繪畫八人展(成都); 1996高原風楊瑞洪油畫展(重慶);??

2007紀念鄧小平誕辰100周年全國美術作品展獲優秀獎(成都);

2004韓國漢城龍山國際美術交流展(韓國);??? 2004中國藝術博覽會(北京);

2005中國北京國際藝術博覽會(北京);? 2006走進濕地四川美術家寫生作品展(成都);

2007阿壩高原當代油畫展(成都);? 2008劫后余生-楊瑞洪·大唐卓瑪油畫作品展(成都);

2009他們來自汶川楊瑞洪·大唐卓瑪藝術展(北京);

2010走南創北新春當代油畫七人展(北京);2011不屈的脊梁512汶川地震四川美術作品巡展;

2009云朵中的祈福512周年祭綜合藝術展(北京);2010成都濃園國際藝術村年展(成都);

2011感恩羌山-楊瑞洪·大唐卓瑪油畫作品展(成都)

2012景·成-藏地行藝術交流展(成都);2013圖像的共生-四川十人油畫作品展(成都)

2014高原·高原第四屆中國西部美術展油畫年度展(西安)第四屆高原油畫展學術獎;

2014 藝術牧民·藝術生活-繪畫作品四人展(成都)圖像共生·中法藝術家作品交流展(成都)

2015共鳴·中德國際藝術六人展;美好家園·四川水彩油畫展;

2015 紀念中國人民抗日戰爭暨世界反法西斯戰爭勝利70周年-四川美術作品展;

2015 大山大水·大美四川—美術創作過程作品展;第二屆四川文華獎美術作品展;

2016 深入生活 扎根人民·2016四川省美術作品展;

2016 視覺消費·第二屆南京國際美術展平行展;


作品發表;

《今日中國美術》、《中國油畫》、《中國藝術家》、《美術大觀》、《美術》、《民族》、《巴蜀畫派》

《四川美術》《當代中國油畫家·百人作品集》、《空港》、《九寨溝》、《百坡》、《藝術教育》《畫苑》

《中國優秀美術家叢書——楊瑞洪作品專集》、《當代名家名作鑒賞·楊瑞洪意象高原作品集》

《當代中國美術家》、《當代油畫》、《今日收藏》、《四川文學》、《草地》、《青年作家》、《時代女性》

《華人藝術》、《羌族文學》、《中國文化報》、《美術報》、《成都商報》、《華西都市報》

《首爾迪書畫藝術拍賣作品集》

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作品收藏;

四川美術學院美術館;北京深巷畫廊;北京原色生活畫廊;臺灣意象畫廊、成都濃園國際藝術村;

陜西省美術博物館;四川歲月藝術館、美國韓國新加坡臺灣及國內私人收藏;


Yang Ruihong

Born in Wenchuan Couty, Ngawa Tibetan and Qiang Autonomous Prefecture in 1963 with the ancestral home in Anyue, Sichuan, he graduated from Fine Arts class in a secondary normal school and then taught at Jinchuang Middle School, from Sichuan Fine Arts Institute with a Bachelor’s Degree in 1989, and from the college of fine arts in Southwest China Normal University with a master’s degree of oil painting in 1996.

Professor Yang Ruihong, Sichuan famous teacher, dean of Fine Arts school Academy of Aba Teachers College is on the board of Sichuan Artists Association and the chairman of Ngawa Artists Association.

Exhibitions:

2017 The 2nd National Master from Academy of Fine Arts in Normal University Oil Painting Exhibition

2017 “Intellectual Vision Consumption” The 2rd Nanjing International Art Festival

2016 “Rooted Deeply in Life and People” Sichuan Fine Arts Exhibition

2015 “Mountain & River, Sichuan Great Beauty” Art Working Process Artwork Exhibition

2015 ? Celebrating the 70th Anniversary of the Victory of Anti-Fascist Second Sino-Japanese War—Sichuan Fine Art Exhibition:

2015 “Resonate” China and German International Six-person Art Exhibition

2015 “Image and Imagination” 2015 China-France Art Exchange Exhibition

2014 ??(Chengdu)“Art Herdsman, Art Life” Four-person Painting Exhibition ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?

2014 “Plateau, Plateau” The 4th West China Oil Painting Annual Exhibition

2014 ??(Chengdu)Sichuan Wenhua Prize Artworks Exhibition ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ??

2013 ??(Xi’an)“Plateau, Plateau” The 2nd West China Oil Painting Annual Exhibition, the 3rd Prize ? ? ? ? ? ? ? ? ? ? ?

2013 ?“Image and Imagination” Sichuan Ten-person Oil Painting Exhibition

2012 ? Jing, Cheng Cangdixing Art Exchange Exhibition

2011 ? (Chengdu)Gratitude for Qiangshan, Yang Ruihong and Datang Zhuoma Oil Painting Exhibition ? ? ? ? ? ? ? ? ? ?

2011 ‘The Unyielding Backbone” Sichuan Fine Arts Exhibition for 5.12 Wenchuan Earthquake

2011 ??(Beijing)“Spirits of the time” National Portrait Oil Painting Exhibition ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ??

Works’ Publication:

Today’s Chinese Art, Chinese Oil Painting, Chinese Artists, Ba and Shu Art School、Sichuan Art, Modern Chinese Oil Painting Master, Artworks’ Collection of Hundreds of people, Chinese Outstanding Artists Series—Yang Ruihong Artwork Collection, Appreciation of Master and Famous Artwork Yang Ruihong Artwork Collection of Imagery Plateau, Modern Chinese Artist, Modern Oil Painting, Today’s Collection and etc.


Works’ Collection:

Museum of Sichuan Fine Arts Institute; Beijing Shenxiang Gallery, Beijing Yuanse Life Gallery, Taiwan Imagery Gallery, Chengdu Nongyuan International Art Village, Shaanxi Provincial Art Museum; Sichuan Suiyue Art Museum, individuals at home and abroad.

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Art Criticism:

He prides himself on being an art herder who always walks on the snowy Tibetan Plateau and whose spirits have integrated with those of the Plateau on western China. ?

With regard to painting, he discusses frequently with me and deems that the relation between paintings and reality is far from reproducing, but is to build up the phenomenon through oil painting language and embody the painter’s own unique art expression of real environment through images. In his series of oil painting “Plateau”, he paid more attention to certain images offered by the nature that lie between the likeness and unlikeness and could be injected with some spiritual meanings, relations of colors, technical for oil paintings and links between some shapes, colors and lines. Focuses in short are special images and meanings formulated by unique aesthetic elements of the vast, cold and mysterious Tibetan Plateau. In his paintings, the perfectly strong combination of traditional Chinese painting technical in lines and the classical oil painting technical make the plateau, snowy mountains, yaks and herders have completely different images. Scenes on his paintings are of great vitality and nature, presenting us how the Oriental aesthetics fill images. His creation embodies his endless and unremitting pursuit for the integration of nationality and modernity. ?

As he always said, “I have deeply implanted the root of my art into this amazing land and sincerely expressed my earnest feelings for this plateau.”, “I insist on exploring and practicing being national and local when painting by changing the language of oil painting. During the course of the gradual combination of thick colors in western oil painting and secret oriental lines that shape my own special characteristics, I have also been influenced by numerous masters from all over the world, such as Zhao Wuji, Wu Guanzhong, Lin Fengmian, Su Tianci, Chen Danqing,Li Bo’an, Paul Cezanne, Pablo Picasso and etc.. All those spiritual nourishment concerning the nature, art and humanities support me in my whole art life.”

Datang Zhuoma (Excerpts)

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